Wednesday, June 5, 2019

Asura in the Rig Veda

In the Puranic and Epic theology and mythology of Hinduism, there are different classes of beings (super-human, human, sub-human, non-human) born from the creator Brahma. The major of these classes are the Devas (gods of light) and Asuras (anti-gods, older cousins of the gods), who are depicted as always warring with one another for the dominion of the worlds. Typically the Devas are victorious by virtue of them adhering to the Vedic doctrines and righteous performance of Vedic rituals.  The Asuras are almost equal in power to the Devas and, on occasion, do manage to defeat their younger cousins. However, what makes Asuras mythical villains is the unorthodox and uncivilized methods they use in administration, governance, and religious observance. The explanation is that Asuras cause more chaos in the universe whereas Devas maintain order and prosperity. Apart from these two, there are Rakshasas, who are evil spirits originally tasked to protect and nurture other creatures (Sanskrit "raksh" meaning "to protect"). This above situation is primarily found in the Puranas (i.e. books containing history and mythology) and the epics (Ramayana and Mahabharata). However, later parts of the Vedic literature (Yajur Veda Samhitas, Brahmanas, Aranyakas) at least have the core of the Deva-Asura conflict myth.

In contrast to the above-cited literature, in the oldest Vedic text, the Rig Veda, a very different situation is found. In the Rig Veda, there are no two feuding classes Devas vs. Asuras, but only the Devas who are also Asuras. The most common reference is of the singular 'Asura' in the sense of 'one supreme power'. Moreover, the Asura symbol is part of a great and profound metaphysical doctrine and mystical experience. For a modern-day practising Hindu, who has been educated in the myths of the religion, it is very hard to believe that in the oldest and most sacred book the terms mean the very opposite of what he/she may be used to. This is due to the fact that classical Hinduism draws more inspiration from the Puranas and Epics than the ancient Vedic literature.


The Vedas, Puranas and Epics form one single corpus of literature whose core objective is to expound the ultimate reality as the experience of pure existence-consciousness at the individual level being identical with the cosmic reality. However, the expanded purpose of each of these texts is different and meaningful. The Vedas (comprising Samhita, Brahmana, Aranyaka and Upanishad texts) are the very heart and cornerstone of the Hindu world. They are the most ancient, most arcane and most technical in language and expression. The highest and most subtle spiritual experiences of sages are poetically recorded in the Vedas, along with intricate symbolism and metaphysical myth. The sages expressed their experience in the esoteric language of symbol and myth, which became the basis for elaborate ritual to re-enact the mystical experiences. Internal evidence shows differences in language and terminology from the earliest to the latest parts of the Veda. This is a natural process of change that is universal in all human cultures. However, through and through the external changes, it is also equally evident that the essential message has remained the same.


The Epics and Puranas represent the more 'popular' side of the religion. These texts primarily use the medium of stories of heroes, heroines, sages, gods, demons, superhuman beings, animals and birds to convey to a wider audience the spiritual teachings of the Vedas. This concordance is made pretty clear in the Puranas and Epics. Hinduism, by its very nature, has always been evolving with the times while recasting ancient truths in contemporary modes of thought and expression. By virtue of this, the language and myth of the Epics and Puranas are vastly different from that of the Vedas. This might partly explain why the notion of 'Asura' is so different in the Rig Veda as compared to the Epics and Puranas. However, there might be other historical causes for this shift - we will see this later.


Below I attempt to list the most important references to 'Asura' in the Rig Veda and give the metaphysical meaning.



1. Viśvāmitra Gāthina (RV 3.55)

This hymn of 22 verses is a majestic and magnificent depiction of the concept of Asura in the Rig Veda. Each verse ends with the following phrase:

"महद् देवानाम् असुरत्वम् एकम्" - "mahad devānām asuratvam ekam"


"Great is the single Asura-hood or Asura-ness of the gods". 


In this hymn Asura is not a specific god or personality, but an abstract spiritual concept that encompasses all gods. It is an essential nature of every god. Moreover, the emphasis is on the unity or singular essence of all gods. Thus, Asura in the Rig Veda is equivalent to Brahman in the Upanishads.




2. Rig Veda 10.124

This hymn is a real hidden gem. Ananda K. Coomaraswamy has elegantly brought out the subtle meanings in this hymn that tie into the overall metaphysics expressed in the Rig Veda. I have already introduced this metaphysics in my series of articles on Agni. The hymn is a highly symbolic allegory describing the deepest ultimate truth as hiding in deep Darkness:

"ज्योगेव दीर्घम् तम आशयिष्ठा:" - "jyogeva dīrgham tama āśayiṣṭhāh" (1)


"You have been sleeping in the deep Darkness for far too long".


This Agni who is hidden in deep Darkness for long, is prayed to come out of the Darkness and activate the yajña. This is a symbolism for the manifestation of the first principle of the universe. Darkness is seen as the primeval, original state of existence, and hence the deepest absolute, ultimate truth. As I have already elaborated on this in my articles on Agni, I shall refrain from that here. The noteworthy part of this hymn in the present context is this:


"शंसामि पित्रे असुराय शेवम्" - "śamsāmi pitre asurāya śevam" (3)


"I invoke well-being for Father Asura".


This makes it very clear that Asura is a father figure, full of auspicious qualities. However, this Father Asura is the symbol of the primeval deep Darkness, which is the original ultimate truth experience. Hence, when Agni comes out of the Darkness, he is also rejecting his origin and home, and moving to a new state:


"अयज्ञियाद् यज्ञियं भागमेमि" - "ayajñiyād yajñiyam bhāgam emi" (3)


"I go from the non-yajña to the yajña".


"इन्द्रं वृणानः पितरं जहामि" - "indram vṛṇānah pitaram jahāmi" (4)


"I give up the Father and choose Indra".


Indra represents the manifested universe. He is the active, benevolent, protective "God" defined for the visible universe. So it becomes clear why Agni says that he quits the Father (i.e. the primeval unmanifest Darkness) and joins Indra in the manifest universe.


In consonance with the above, the previous forms of Agni, Soma and Varuna, who are the original old forms of divinity, fall away, and the new forms of gods Agni, Soma and Varuna are manifested:


"अग्निः सोमो वरुणस्ते च्यवन्ते पर्यावर्त् राष्ट्रम् ... निर्माया उ त्ये असुरा अभूवन्" - "agnih somo varuṇaste cyavante, paryāvart rāṭram ... nirmāyā u tye asurā abhūvan" (4)


"Agni, Soma and Varuna, they fall away ... those Asuras become powerless".


So Agni, Soma and Varuna are called "Asuras", whose old form is destroyed, and they are recast as "gods" in the universe.




3. Asura's sons (asurasya vīrāh)

In continuation of the theme of Asura described as the original primeval Father, I shall give examples here of the occurrence of the description of various revered personalities, including gods and sages, as the Asura's sons, i.e. "asurasya vīrāh".
.
  • RV 3.53.7: "इमे भोजा अङ्गिरसो विरूपा दिवस्पुत्रासो असुरस्य वीराः । विश्वामित्राय ददतो मघानि सहस्रसावे प्र तिरन्त आयुः " - "ime bhojā aṅgiraso virūpā divasputrāso asurasya vīrāhviśvāmitrāya dadato maghāni sahasrasāve pra tiranta āyuh" -- Here, the Aṅgiras sages are called Sons of Heaven, and Asura's Sons. 
  •  RV 3.56.8: "त्रिरुत्तमा दूणशा रोचनानि त्रयो राजन्त्यसुरस्य वीराः । ऋतावान इषिरा दूळभासस्त्रिरा दिवो विदथे सन्तु देवाः " - "triruttamā dūṇaśā rocanāni trayo rājanti asurasya vīrāh, ṛtāvāna iṣirā dūḷabhāsah trirā divo vidathe santu devāh" -- Here, Agni, Indra and Surya are called Asura's Sons.
  • RV 10.10.2: "न ते सखा सख्यं वष्ट्येतत्सलक्ष्मा यद्विषुरूपा भवाति । महस्पुत्रासो असुरस्य वीरा दिवो धर्तार उर्विया परि ख्यन्" - "na te sakhā sakhyam vaṭyetat salakṣmā yadviṣurūpā bhavāti, mahasputrāso asurasya vīrā, divo dhartāra urviyā pari khyan" -- Here, the gods in general are called Sons of the Great Asura.
  • RV 10.67.2: "ऋतं शंसन्त ऋजु दीध्याना दिवस्पुत्रासो असुरस्य वीराः । विप्रं पदमङ्गिरसो दधाना यज्ञस्य धाम प्रथमं मनन्त" - "ṛtam śamsanta ṛju dīdhyānā divasputrāso asurasya vīrāh, vipram padam aṅgiraso dadhānā yajñasya dhāma prathamam mananta" -- Here, the Aṅgiras sages are called Sons of Heaven and Sons of Asura. Incidentally, Sāyaṇa's commentary on this verse explains "Asura" as "Agni".

4. Individual gods called as Asura

Agni

  • RV 3.3.4: "पिता यज्ञानामसुरो विपश्चितां विमानमग्निर्वयुनं च वाघताम्" - "pitā yajñānām asuro vipaścitām vimānamagnir vayunam ca vāghatām"
  • RV 4.2.5: "इळावाँ एषो असुर प्रजावान् दीर्घो रयिः पृथुबुध्नः सभावान्" - "iāvān eṣo asura prajāvān dīrgho rayih pṛthubudhnah sabhāvān"
  • RV 5.12.1: "प्राग्नये बृहते यज्ञियाय ऋतस्य वृष्णे असुराय मन्म" - "prāgnaye bṛhate yajñiyāya ṛtasya vṇe asurāya manma"
  • RV 5.15.1: "घृतप्रसत्तो असुरः सुशेवो रायो धर्ता धरुणो वस्वो अग्निः" - "ghṛtaprasatto asurah suśevo rāyo dhartā dharuṇo vasvo agnih"

Varuṇa

  • RV 1.24.14: "क्षयन्नस्मभ्यमसुर प्रचेता" - "kayann asmabhyam asura pracetā"
  • RV 2.27.10: "त्वं विश्वेषां वरुणासि राजा ये च देवा असुर ये च मर्ताः" - "tvam viśveām varuāsi rājā ye ca devā asura ye ca martāh"

Indra

  • RV 1.174.1: "त्वं राजेन्द्र ये च देवा रक्षा नृृन् पाह्यसुर त्वमस्मान्" - "tvam rājendra ye ca devā rakā nṛn pāhyasura tvamasmān"
  • RV 3.38.4: "महत्तद्वृष्णो असुरस्य नामा विश्वरूपो अमृतानि तस्थौ" - "mahattad vṇo asurasya nāmā viśvarūpo amṛtāni tasthau"

Sūrya

  • RV 1.35.7: "वि सुपर्णो अन्तरिक्षाण्यख्यद् गभीरवेपा असुरः सुनीथः" - "vi suparṇo antarikāṇi akhyad gabhīravepā asurah sunīthah"
  • RV 1.35.10: "हिरण्यहस्तो असुरः सुनीथः" - "hiraṇyahasto asurah sunīthah"
  • RV 1.110.3: "तत्सविता वोऽमृतत्वमासुवदगोह्यं यच्छ्रवयन्त ऐतन । त्यं चिच्चमसमसुरस्य भक्षणमेकं सन्तमकृणुता चतुर्वयम्" - "tatsavitā vo'mṛtatvamāsuvadagohyam yacchravayanta aitana, tyam ciccamasam asurasya bhakṣaṇameko santamakṇutā caturvayam"
  • RV 4.53.1: "तद्देवस्य सवितुर्वार्यं महद् वृणीमहे असुरस्य प्रचेतसः" - "tad devasya savitur vāryam mahad vīmahe asurasya pracetasah"

As we see from the few examples above, the concept of Asura is an all-encompassing, universal subtle reality. The gods are called both "Asura" and "Asura's Sons". This shows the highly metaphysical and esoteric content of the Rig Veda. This is also consistent with what the Niruktam says about the nature of the Vedic gods, that they are "born from one another (itaretarajanmānah)". 

This again confirms my earlier conviction regarding the idea of Agni in the Rig Veda. The Vedic gods, especially Agni, are fully equivalent to the idea of Brahman in the Upanishads. The only difference is that the Rig Veda is also poetry, so it is loaded with intricate symbolism which hides the deep subtle metaphysics. 

The meaning of 'Asura' is made clear by studying the traditional list of Vedic words, Nighaṭu. In chapter 3.9, the following list for the synonyms of knowledge or wisdom:

केतुः । केतः । चेतः । चित्तम् । क्रतुः । असुः । धीः । शची । माया । वयुनम् । अभिख्येति एकादश प्रज्ञानामानि ।

Note that "asuh" is in the list. The Niruktam derives the word "Asura" from this word, as "giver of wisdom, or the wise one". There are also other meanings such as "giver of life".

So far, we have seen that in the Rig Veda, the words 'Deva' and 'Asura' are synonyms. 


Now, coming to historical reasons why the word 'Asura' came to have negative meanings, and became the complete opposite of 'Deva' in post-Rigvedic times. 

A tectonic shift occurs in the later Vedic literature (Yajur Veda, Atharva Veda, Brahmanas, etc) where only 'Deva' is used for the Vedic gods, and 'Asura' is now used for the anti-gods. The derivation of 'Asura' now changes to 'A-sura' i.e. “not sura”, and “sura” now becomes a synonym of 'Deva'. This is totally unknown in Rig Veda, where “Asura” has absolutely no negative connotation.
In parallel with the later Vedic literature, in the lands neighboring west of India, the person called Zarathushtra begins preaching a new set of beliefs that are distantly related to the old Vedic religion. But there are some radical new beliefs. A central tenet is that the god is called 'Ahura', which is the Sanskrit 'Asura', and the anti-god is called “daeva”, which is the Sanskrit 'Deva'. It is from the Avestan “daeva” through Hebrew, then Latin that the European languages have the word “devil”, “diavolo” etc. So you see, in the Avesta, the words have the exact opposite meanings as the later Vedic texts.
Even in the earliest texts of the Zoroastrians, there is already an opposition between the positive 'Ahura' and negative 'Daeva'; between positive 'Vanguhi Daitya' and negative 'Angra Mainyu'. On the Vedic side, in Yajur Veda and later texts, the former set of characters is the negative one, and the latter set is the positive one. ('Angra Mainyu' is none other than our Angiras rishi).
But the Rig Veda sees no such dichotomy as there is no reason for it, as seen from the original meaning of the words.
So it can be concluded that in the later Vedic period there was a struggle between the Vedic people and their cultural cousins the Zoroastrians, which was so significant that the fundamental religious expression changed forever. Even now, most Hindus would not believe that “deva” and “asura” were once synonyms. And Zoroastrians would never consider the two words as synonyms either. 




Wednesday, April 24, 2019

Lineage of rishis in the Rig Veda

The Rig Veda is the most ancient sacred literature in the world, and is without a doubt the foundational cornerstone of the architectural wonder that is Hinduism. Anyone with even a faint familiarity with the Rig Veda cannot but be in awe of the majesty of the hymns composed in various exquisite meters. Anyone who has strove deep into the ocean of wisdom that is Rig Veda is sure to have their entire thought process and world-view completely transformed. The richness of imagery and symbolism, the depth of spiritual insight and the brilliance of the ultimate absolute Truth revealed in the mantras, all come together in a package that is truly the heritage of the entire human race, much more so that any other non-material entity available to us today.
As I have written elsewhere on the origin of the Veda, its significance, its contents and its intent, I shall not dwell on those matters here. The purpose of the present endeavor is to shed more light on the visionaries who composed the hymns in the Rig Veda. Pious Hindus need not feel offended by the use of the word “composed”, because that is the fact of the matter. The sages were no doubt in the exalted state of samādhi when they experienced seamless oneness with the Universal Spirit. But we would be depriving them of the due credit they deserve, for coming down from the exalted state and putting their experience into words. And what words those are! Not a mere collection of sentences, not incoherent babbling, but beautiful poetry. We Hindus are fortunate to have had such a unique development of this ‘rishi culture’ in India.
The study of the lineage of the rishis who are composers of the Rig Veda is fascinating. There are at least 3 generations of rishis by name. However, it is very evident that these rishis knew even older generations of rishis whose hymns are now lost. Even the oldest generation of rishis frequently refer to “ancient ancestors” who were the “pathfinders” (pathikṛt — पथिकृत्).
Regardless of the particular ancestry of a rishi, all rishis considered Aṅgirā (अङ्गिरा), Bhṛgu (भृगु), Atharvā (अथर्वा) and Trita Āptya (त्रित आप्त्य) as their common primordial ancestors. Evidence of this comes from the mantras themselves. Only these four rishis are included in the mantras along with the gods. In fact, these four rishis are considered almost gods. However, Aṅgirā (अङ्गिरा) is by far the most important and most revered personality. In many mantras, the reference is to a plural number, i.e. not one Aṅgirā (अङ्गिरा) but several Aṅgirases (अङ्गिरसः). They are most commonly called Navagvas (नवग्वाः) and Daśagvas (दशग्वाः).
In any case, the family line of Aṅgirā is the most widespread of all rishi families in the Rig Veda.
Below I will list the most prominent generations of rishis with the hymns (sūktams) or mantras attributed to each. Please note that this is not an exhaustive list, and I will try to make it an exhaustive one, time permitting.
As you read through the list, note the beautiful method of Sanskrit names, where the son or daughter is given a surname which is the guṇavṛddhi (गुणवृद्धि) form of the parent’s name.

Aṅgirā (Aṅgiras)[so called because he is an Aṅgāra, i.e. a burning coal, i.e. a form ofAgni]
  • Bṛhaspati Āṅgirasa (RV 10.71, 72)
    • Bharadvāja Bārhaspatya (RV 6 —almost entire sixth maṇḍala) <<<First of the famous saptarshi>>>
      • Suhotra Bhāradvāja (RV 6.31,32)
      • Śunahotra Bhāradvāja (RV 6.33.34)
      • Nara Bhāradvāja (RV 6.35,36)
      • Garga Bhāradvāja (RV 6.47)
      • Ṛjiśvā Bhāradvāja (RV 6.49–52)
      • Pāyu Bhāradvāja (RV 6.75)
      • Vasu Bhāradvāja (RV 9.80–82)
      • Rātri Bhāradvājῑ (RV 10.127)
      • Śāsa Bhāradvāja (RV 10.152)
      • Śirimbiṭha Bhāradvāja (RV 10.155)
    • Śamyu Bārhaspatya (RV 6.44–46, 48)
    • Tapurmūrdhā Bārhaspatya (RV 10.182)
  • Rahūgaṇa Āṅgirasa (RV 9.37,38)
    • Gotama Rāhūgaṇa (RV 1.74–93; 9.31) <<<Second of the famous saptarshi>>>
      • Vāmadeva Gautama (RV 4 — almost entire fourth maṇḍala)
      • —→ Bṛhaduktha Vāmadevya (RV 10.54–56)
      • —→ Amhomuk Vāmadevya (RV 10.126)
      • Nodhā Gautama (RV 1.58–64; 8.88; 9.93)
      • —→ Ekadyu Naudhasa (RV 8.80)
  • Kaṇva Āṅgirasa or Ghaura (RV 9.94; 1.36–43; 8.1.1–2) [technically, he is Ghaura, i.e. son of Ghora Āṅgirasa, who only has one mantra (3.36.10) in Rig Veda, but he is mentioned in other Vedic texts] [Kaṇva’s descendants cover almost the entire eighth maṇḍala]
    • Medhātithi Kāṇva (RV 1.12–23; 8.1.3–29, 8.2–3, 8.32; 9.2)
    • Devātithi Kāṇva (RV 8.4)
    • Brahmātithi Kāṇva (RV 8.5)
    • Vatsa Kāṇva (RV 8.6,11)
    • Punarvatsa Kāṇva (RV 8.7)
    • Sadhvamsa Kāṇva (RV 8.8)
    • Śaśakarṇa Kāṇva (RV 8.9)
    • Pragātha Kāṇva (RV 8.10, 48, 62–65)
      • Bharga Prāgātha (RV 8.60–61)
      • Kali Prāgātha (RV 8.66)
      • Haryata Prāgātha (RV 8.72)
    • Irimbiṭhi Kāṇva (RV 8.16–18)
    • Sobhari Kāṇva (RV 8.19–22, 103)
      • Kuśika Saubhara (RV 10.127)
    • Medhyātithi Kāṇva (RV 9.41–43; 8.1.3–29, 8.33)
    • Nῑpātithi Kāṇva (RV 8.34)
    • Nābhāka Kāṇva (RV 8.39–42)
    • Praskaṇva Kāṇva (RV 9.95; 1.44–50, 8.49)
    • Parvata Kāṇva (RV 9.104,105; RV 8.12)
    • Nārada Kāṇva (RV 9.104,105; RV 8.13)
    • Triśoka Kāṇva (RV 8.45)
    • Puṣṭigu Kāṇva (RV 8.50)
    • Śruṣṭigu Kāṇva (RV 8.51)
    • Āyu Kāṇva (RV 8.52)
    • Medhya Kāṇva (RV 8.53, 57, 58)
    • Mātariśvā Kāṇva (RV 8.54)
    • Kṛśa Kāṇva (RV 8.55)
    • Pṛṣdhra Kāṇva (RV 8.56)
    • Suparṇa Kāṇva (RV 8.59)
    • Kurusuti Kāṇva (RV 8.76–78)
    • Kusῑdῑ Kāṇva (RV 8.81–83)
  • Ucathya Āṅgirasa (RV 9.50–52)
    • Dīrghatamā Aucathya (RV 1.140–164)
      • Kakṣῑvān Dairghatamasa (RV 1.116–126; 9.74)
      • —→ Sukῑrti Kākṣῑvata (RV 10.131)
      • —→ Śabara Kākṣῑvata (RV 10.169)
      • —→ Ghoṣā Kākṣῑvatῑ (RV 10.39–40)
      • ———→ Ghauṣeya Suhastya (RV 10.41)
  • Ayāsya Āṅgirasa (RV 9.44–46; 10.67–68)
  • Hiraṇyastūpa Āṅgirasa (RV 9.4,69; 1.31–35)
    • Arcan Hairaṇyastūpa (RV 10.149)
  • Nṛmedha Āṅgirasa (RV 9.27,29; 8.89–90, 98–99)
    • Śakapūta Nārmedha (RV 10.132)
  • Priyamedha Āṅgirasa (RV 9.28; 8.68–69)
    • Sindhukṣit Praiyamedha (RV 10.75)
  • Bindu Āṅgirasa (RV 9.30; 8.94)
  • Prabhūvasu Āṅgirasa (RV 5.35–36; 9.35,36)
  • Bṛhanmati Āṅgirasa (RV 9.39,40)
  • Harimanta Āṅgirasa (RV 9.72)
  • Pavitra Āṅgirasa (RV 9.73,83)
  • Savya Āṅgirasa (RV 1.51–57)
  • Kutsa Āṅgirasa (RV 1.94–98, 101–104, 106–115)
    • Sumitra Kautsa (RV 10.105)
  • Śaśvatῑ Āṅgirasῑ (RV 8.1.34)
  • Vyaśva Āṅgirasa (RV 8.26)
    • Viśvamanā Vaiyaśva (RV 8.23–25)
  • Virūpa Āṅgirasa (RV 8.43–44, 75)
    • Aṣṭādamṣṭra Vairūpa (RV 10.111)
    • Nabhaprabhedana Vairūpa (RV 10.112)
    • Śataprabhedana Vairūpa (RV 10.113)
    • Sadhri Vairūpa (RV 10.114)
  • Puruhanmā Āṅgirasa (RV 8.70)
  • Kṛṣṇa Āṅgirasa (RV 8.85, 87; 10.42–44)
    • Kṛṣṇa Kāṛṣṇi (RV 8.86)
  • Purumedha Āṅgirasa (RV 8.89–90)
  • Sukakṣa Āṅgirasa (RV 8.92–93)
  • Tiraścῑ Āṅgirasa (RV 8.95–96)
  • Amahῑyu Āṅgirasa (RV 9.61)
    • Urukṣaya Āmahῑyava (RV 10.118)
  • Śiśu Āṅgirasa (RV 9.112)
  • Saptagu Āṅgirasa (RV 10.47)
  • Mūrdhanvān Āṅgirasa (RV 10.88)
  • Baru Āṅgirasa (RV 10.96)
  • Divya Āṅgirasa (RV 10.107)
  • Bhikṣu Āṅgirasa (RV 10.117)
  • Vihavya Āṅgirasa (RV 10.128)
  • Samvarta Āṅgirasa (RV 10.172)
  • Dhruva Āṅgirasa (RV 10.173)
  • Abhῑvarta Āṅgirasa (RV 10.174)
  • Samvanana Āṅgirasa (RV 10.191)
  • Dharuṇa Āṅgirasa (RV 5.15)

Bhṛgu Vāruṇi [i.e. son of Varuṇa] (he is also considered a form of Agni, his name mimicking the sound of burning fire)
  • Gṛtsamada Bhārgava (RV 2 — almost entire second maṇḍala)
  • Kṛtnu Bhārgava (RV 8.79)
  • Nema Bhārgava (RV 8.100)
  • Jamadagni Bhārgava (RV 8.101; 9.62, 65) <<<Third of the famous saptarshi>>>
    • Rāma Jāmadagnya (RV 10.110)
  • Prayoga Bhārgava (RV 8.102)
  • Kavi Bhārgava (RV 9.47–49, 75–79)
    • Uśanā Kāvya (RV 9.87–89)
  • Vena Bhārgava (RV 9.85; 10.123)
    • Pṛthu Vainya (RV 10.148)
  • Cyavana Bhārgava (RV 10.19)
  • Syūmaraśmi Bhārgava (RV 10.77–78)
  • Iṭa Bhārgava (RV 10.171)

Now, by tracing the names backwards to the ancestor, we find that Sobhari Kāṇva is possibly the father of Kuśika, who is the grandfather of Viśvāmitra. So essentially, even Viśvāmitra belongs to the ancient Āṅgirasa lineage. On the other hand, there is also a Kuśika Aiṣῑrathi mentioned in the third maṇḍala. So it is not fully clear what the complete lineage could be, but given the fact that all of Viśvāmitra’s ancestors and descendants are rishis, it is highly unlikely that he was a king (as per popular Hindu mythology). There is no evidence in the Rig Veda to show that he was ever a Kṣatriya. In any case, he is also famous as the starter of a big family tree as well.
Sobhari Kāṇva (RV 8.19–22, 103)
Kuśika Saubhara (RV 10.127) or Kuśika Aiṣῑrathi (RV 3.31)
  • Gāthi Kauśika (RV 3.21–22)
    • Viśvāmitra Gāthina (RV 3 — almost entire third maṇḍala) <<<Fourth of the famous saptarshi>>>
      • Ṛṣabha Vaiśvāmitra (RV 3.13–14; 9.71)
      • Kata Vaiśvāmitra (RV 3.17–18)
      • —→ Utkῑla Kātya (RV 3.15–16)
      • Madhucchandas Vaiśvāmitra (RV 1.1–10)
      • —→ Jetā Mādhucchandasa (RV 1.11)
      • —→ Aghamarṣaṇa Mādhucchandasa (RV 10.190)
      • Prajāpati Vaiśvāmitra (RV 3.38, 54–56)
      • Reṇu Vaiśvāmitra (RV 9.70; 10.89)
      • Aṣṭaka Vaiśvāmitra (RV 10.104)
      • Pūraṇa Vaiśvāmitra (RV 10.160)

Agastya Maitrāvaruṇi [son of Mitra and Varuṇa] (RV 1.165–191)
  • Dṛḍhacyuta Āgastya (RV 9.25)
    • Idhmavāha Dārḍhacyuta (RV 9.26)

Vasiṣṭha Maitrāvaruṇi (RV 7 — almost entire seventh maṇḍala) <<<Fifth of the famous saptarshi>>>
  • Indrapramati Vāsiṣṭha (RV 9.97.4–6)
  • Vṛṣagaṇa Vāsiṣṭha (RV 9.97.7–9)
  • Manyu Vāsiṣṭha (RV 9.97.10–12)
  • Upamanyu Vāsiṣṭha (RV 9.97.13–15)
  • Vyāghrapāt Vāsiṣṭha (RV 9.97.16–18)
  • Śakti Vāsiṣṭha (RV 9.97.19–21; 9.108.3,14–16)
    • Parāśara Śāktya (RV 9.97.31–44; 1.65–73)
    • Gaurivῑti Śāktya (RV 5.29; 9.108.1–2; 10.73–74)
  • Karṇaśrut Vāsiṣṭha (RV 9.97.22–24)
  • Mṛḍῑka Vāsiṣṭha (RV 9.97.25–27; 10.150)
  • Vasukra Vāsiṣṭha (RV 9.97.28–30)
  • Citramahā Vāsiṣṭha (RV 10.122)

Kaśyapa Mārῑca [son of Marῑci] <<<Sixth of the famous saptarshi>>>
(RV 1.99; 8.29; 9.64; 9.67.4–6; 9.91–92; 9.113–114)
  • Rebha Kāśyapa (RV 8.97; 9.99–100)
  • Asita Kāśyapa (RV 9.5–24)
  • Avatsāra Kāśyapa (RV 5.44; 9.53–60)
  • Nidhruvi Kāśyapa (RV 9.63)
  • Sūnu Kāśyapa (RV 9.99–100)
  • Bhūtāmśa Kāśyapa (RV 10.106)
  • Vivṛhā Kāśyapa (RV 10.163)

Atri Bhauma [son of Bhūmā *] (RV 5.37–43; 5.76–77; 5.83–86) <<<Seventh of the famous saptarshi>>>
  • Budha Ātreya (RV 5.1)
  • Gaviṣṭhira Ātreya (RV 5.1)
  • Kumāra Ātreya (RV 5.2)
  • Vasuśruta Ātreya (RV 5.3–6)
  • Iṣa Ātreya (RV 5.7–8)
  • Gaya Ātreya (RV 5.9–10)
  • Sutambhara Ātreya (RV 5.11–14)
  • Pūru Ātreya (RV 5.16–17)
  • Dvita Mṛktavāhā Ātreya (RV 5.18–19)
  • Sasa Ātreya (RV 5.21)
  • Viśvasāmā Ātreya (RV 5.22)
  • Dyumna Viśvacarṣaṇi Ātreya (RV 5.23)
  • Vasūyava Ātreya (RV 5.25–26)
  • Viśvavārā Ātreyῑ (RV 5.28)
  • Babhru Ātreya (RV 5.30)
  • Avasyu Ātreya (RV 5.31)
  • Gātu Ātreya (RV 5.32)
  • Sadāpṛṇa Ātreya (RV 5.45)
  • Pratikṣatra Ātreya (RV 5.46)
  • Pratiratha Ātreya (RV 5.47)
  • Pratibhānu Ātreya (RV 5.48)
  • Pratiprabha Ātreya (RV 5.49)
  • Svasti Ātreya (RV 5.50–51)
  • Śyāvāśva Ātreya (RV 5.52–61; 5.81–82; 8.35–38)
    • Andhῑgu Śyāvāśvi (RV 9.101.1–3)
  • Śrutavit Ātreya (RV 5.62)
  • Arcanānā Ātreya (RV 5.63–64)
  • Rātahavya Ātreya (RV 5.65–66)
  • Yajata Ātreya (RV 5.67–68)
  • Urucakri Ātreya (RV 5.69–70)
  • Bāhuvṛkta Ātreya (RV 5.71–72)
  • Paura Ātreya (RV 5.73–74)
  • Avasyu Ātreya (RV 5.75)
  • Saptavadhri Ātreya (RV 5.78)
  • Satyaśravā Ātreya (RV 5.79–80)
  • Evayāmarut Ātreya (RV 5.87)
  • Apālā Ātreyῑ (RV 8.91)
this could just be symbolic, as Bhūmā means ‘infinite existence’

Thus far, we have listed most of the major rishis of the Rig Veda belonging to prominent lineages. Of the four primordial rishis who were mentioned at the beginning (i.e. Aṅgirā, Bhṛgu, Atharvā and Trita Āptya), the above lineages covered the first two. To round this up, I will provide some references to the other two rishis.
Trita Āptya — RV 10.1–7; 9.102 [He seems to have had a brother Dvita Āptya who composed 9.103]
Atharvā
  • Bṛhaddiva Ātharvaṇa (RV 10.120)
  • Bhiṣak Ātharvaṇa (RV 10.97)
Of course, the Atharva Veda has many more hymns attributed to Atharvā.

Sunday, September 13, 2015

A pun on the first verse of Kalidasa's Raghuvamsha

The first verse of the celebrated Sanskrit poet Kalidasa's famous epic poem Raghuvamśa ("the story of the dynasty of Raghu", a king of the solar lineage of India) is as follows:

वागर्थाविव संपृक्तौ वागर्थप्रतिपत्तये ।
जगतः पितरौ वन्दे पार्वतीपरमेश्वरौ ।।

"I bow to the mother and father of the world, Pārvatī and Parameśvara (Ṥiva), who are inseparably conjoined, just like a word and its meaning are inseparably conjoined for the purpose of comprehension."

This is the classic meaning of the verse. However, clever scholars probably discovered that they could put a pun on the last word by splitting it slightly differently.

First method of splitting:

पार्वती - परमेश्वरौ  = Pārvatī and Parameśvara

Second method of splitting:

पार्वतीप - रमेश्वरौ =  Pārvatīpa and Rameśvara
                             =  Pārvatī's husband and Ramā's husband
                             =  Ṥiva and Viṣṇu

In the second case, the word पितरौ is easily translated as "two fathers" instead of the special meaning of "father and mother" for the first case.

This seems to be a clever way of showing the equivalence of the two great Gods Shiva and Vishnu with the aim of calming sectarian rivalries and conflicts.

Another verse from Bhartrhari shows this same equivalence:

महेश्वरे वा जगतामधीश्वरे जनार्दने वा जगदन्तरात्मनि ।
न वस्तुभेदप्रपत्तिरस्ति मे तथापि भक्तिस्तरुणेन्दुशेखरे ।।

"I do not see any fundamental difference between Shiva the Overlord of the universe, or Vishnu the Inner Soul of the universe. But still my affection is for the one who has the newborn moon as an ornament (Shiva)."

This verse also gives a glimpse of the Hindu idea of picking your own "Ishta devata" or personal deity based on your temperament and liking. As the spiritual principle is the same, there is no inequality in the devotion or piety.

Sunday, August 2, 2015

Agni -- Part 3: Divine Darkness, or Light within the Darkness, or Divine Death, or Death before Life

If you are reading this before the articles "Agni - Part 1 and Part 2", it is strongly recommended that you read them first as they will prepare the way for ideas discussed here.

I must once again express my gratitude and reverence to Ananda K. Coomaraswamy (AKC), one of the pioneers of Perennial Philosophy, who was a true Vedic sage - a rishi - in his comprehensive and integral, but at the same time deep and genuine, understanding of Vedic metaphysics. I also continue his use of 'metaphysics' in preference to 'philosophy' or 'spirituality', as the former term accurately describes the system of ideas, concepts and teachings of the Vedic literature and deep enlightenment regarding the "non-physical" or "beyond-physical", i.e. "meta-physical" state that should result from the triple action of ṥravaṇa, manana, nididhyāsana (learning, pondering and meditating) that is the famous classic path of Vedanta. Truly, there is no difference between what has been called "Rig Veda, etc.", i.e. the "Karma Kāṇḍa" and the "Upanishads", i.e. the "Jñāna Kāṇḍa" except the age of the language and turn of phrase. But then, there is the real difference that the older Rig Veda uses much more complex symbolism than the younger Upanishad. The trick to unraveling symbolism is that the same symbol can stand for many things at many levels.

At the outset, I would like to emphasize my shortcomings in comparison to the genius of AKC in his energetic synthesis of different verses of the Rig Veda and Upanishads. Although every essay of his has countless gems of interconnected deductions, the following essays in particular contain material that is pertinent to my present endeavor:
1. A New Approach to the Vedas
2. The Darker Side of Dawn
3. Angel and Titan: An Essay in Vedic Ontology
4. The Vedic doctrine of 'Silence'
5. The Tantric doctrine of divine biunity
6. Kha and other words denoting 'zero' in connection with the Indian metaphysics of space
7. On the one and only transmigrant
8. Vedic 'Monotheism'
9. Vedic Exemplarism

I shall proceed to list key ideas and concepts in as logical an order as I can think of, with references from the Rig Veda and other texts that AKC has used and also a few more that are obviously in context. The overarching goal is to show by interconnecting the texts, that the rishis of the Rig Veda had fathomed the deepest secret, the deepest and most profound truth about the nature of reality. They had experienced the ultimate, irreducible state of "enlightening darkness" which level of oxymoron is the only way to describe that supreme, absolute, irreducible state of Existence-Knowledge.

1. Agni and other "Gods of Light/Heaven" are in fact "dark" in their origin. Their original state, i.e. before creation and manifestation of the universe is described.

Pañcaviṁśa Brāhmaṇa 25.15.4: सर्प्या: वा आदित्याः   sarpyāḥ vā ādityāḥ   The Gods are really serpents.

AKC reiterates that the descriptions of Gods prior to "coming into the light" is ophidian (serpent-like). This should not connote any vicious, terrifying or repulsive images that one may have of real-world snakes. The deep significance of the intricate symbol of serpent is noteworthy.



The long and unsegmented body of the serpent symbolizes the totality of all Being or Existence in its undifferentiated state. In fact, the most prominent myth in the Rig Veda is that of Indra cutting up the serpent Vritra into pieces that become parts of the universe. However, the myth that precedes this shows Indra and Vritra as best friends before creation of the universe. Therefore, antecedent to separation of things in creation, all Existence was in the form of a serpent, so to speak.

2. Agni is in fact explicitly described as a serpent, or with actions of a serpent.

Gotama Rāhūgaṇa (RV 1.79.1): अहि: धुनिः  ahiḥ dhuniḥ    A raging serpent

 Aitareya Brāhmaṇa 3.36: एष ह वा अहिर्बुध्न्यो यदग्निर्गार्हपत्य:   eṣa ha vā ahirbudhnyo yad agnir gārhapatyaḥ   This Agni Gārhapatyaḥ (i.e. the foundational fire) is truly the serpent of the deep.

 Śatapatha Brāhmaṇa 7.3.2.14: अद्भ्य उपोदासृप्तं पुष्करपर्णे   adbhya upodāsṛptaṁ puṣkaraparṇe     He had crept out of the waters onto a lotus leaf. 

In the last reference, Agni is likened to a serpent slithering out from the water onto a lotus leaf. This description is loaded with several related doctrines. The lotus (puṣkara) is the symbol of an individual manifested world. As Agni is the First Manifested Principle (i.e. "God") in any world (prathamajā ṛtasya), it is consistent with other references linking Agni to the lotus (for example, RV 6.16.13: Atharvan churned Agni from the Lotus, from Viśva's head).


3. Agni is 'endless' or 'infinite' before manifestation or creation

The last reference tells us Agni was a slithering unsegmented Being until he crept up onto a lotus leaf, at which point, he is in a world that he created by virtue of his creeping up onto it. Before that, he is said to have no hands or feet. This is significant as the foot is a discrete mode of motion. A foot needs a solid distinct "ground" upon which to move in finite, discrete, measured "quanta". However, slithering needs no "ground" as it is a continuous, non-discrete motion that is non-differentiated or "unmeasured". Thus, the foot is the symbol for a distinct manifestation or a created world. Hence, the footless serpent is the symbol for the state prior to creation, prior to distinct entities.

Vāmadeva Gautama (RV 4.1.7): अनन्ते अन्तः परिवीत आगात्  anante antaḥ parivīta āgāt  Enveloped in the infinite, may he come to us. 

 Vāmadeva Gautama (RV 4.1.11): स जायत... बुध्ने रजसः अस्य योनौ ... अपादशीर्षा गुहमानो अन्ता   sa jāyata... budhne rajasaḥ asya yonau... apādaśīrā guhamāno antā   He is born in the depths of space (or waters - compare Ahi Budhnya, serpent of the deep, above) in his own womb... Without feet and without a head, he conceals his ends.

'Conceals his ends' essentially means infinite. Here again, the image of a serpent with its tail in its mouth comes to mind, such that the Being is continuous, unsegmented (without intervals or gaps), full of infinite potentialities prior to manifestation.





Because Agni is infinite, he is never exhausted after emptying out all the potentialities to manifest the universe. This is corroborated by Viśvāmitra Gāthina (RV 3.26.9): "शतधारमुत्समक्षीयमाणं  śatadhāram utsam akīyamāṇam  -  He is an inexhaustible fountain of a hundred streams."


4. Agni dwells in the Darkness prior to creation

The idea of Agni, the exemplar of worldly light, dwelling in darkness is very paradoxical and strange at first. However, this reveals the highest conception of the Vedic sages which they symbolized as Agni. Perhaps we might get a better understanding by looking at the instances in the Rig Veda:

Bharadvāja Bārhaspatya (RV 6.9.7): विश्वे देवा अनमस्यन् भियानाः त्वामग्ने तमसि तस्थिवांसम्  viśve devā anamasyan bhiyānāḥ tvām agne tamasi tasthivāṁsam  -  All the Gods bowed in fear to you, Agni, when you dwelt in the Darkness.


RV 10.51.5: एहि ... तमसि क्षेष्यग्ने सुगान्पथः कृणुहि देवयानान् वह हव्यानि सुमनस्यमानः  ehi ... tamasi kṣeṣi agne ... sugān pathaḥ kṇuhi devayānān vaha havyāni sumanasyamānaḥ  -  Come ... you are dwelling in the darkness ... make our paths easy-faring and carry sacred offerings, being of good will to us.

  
 RV 10.124.1: इमं ... यज्ञमेहि ... असो हव्यवाळुत नः पुरोगाः ज्योगेव दीर्घं तम आशयिष्ठाः  imam yajñamehi aso havyavāḍuta naḥ purogāḥ jyogeva dīrgham tama āśayiṣṭhāḥ  -  Come to this sacrifice, O Life-eternal, carrier of sacred offering and our leader. You have stayed too long in darkness.

These verses show the fundamental doctrine in the form of myth, i.e. by the use of Gods as personalities pleading Agni to come out of the darkness and set the sacrifice "rolling" by creating paths and carrying offerings between the worlds, which in effect causes the worlds to be created.

There is a more profound metaphysical doctrine hidden in those descriptions of Agni dwelling in the darkness. As already pointed out, it is a paradox that the paragon of light should stay in darkness. This should give us the clue that physical light is not meant here. Agni is the pure self-consciousness and existence that is the foundation of all empirical experience. Agni is the pure "I" that is the final and ultimate irreducible state of singular existence-consciousness from which worlds are created and into which they dissolve. Such a state is characterized by complete absence of multiplicity of names and forms, which implies absence of the Light of Creation that exposes, differentiates and defines the forms and names that constitute the universe.

In contrast, this "Agni dwelling in darkness" is a "Dark Light". Compare this to Chandogya Upanishad 1.6, "The white light of the sun is 'sa' and the extremely dark blue black light is 'ama' and together they make 'saama'." So Vedic tradition symbolizes a dark light that is behind the white light of the sun. This 'Dark Light' is the 'Agni dwelling in darkness' which is a Silent Observer existing alone in inaction. The same concept is found in Bṛhadāraṇyaka Upaniṣad 4.3.6-7:

 

अस्तमित आदित्ये याज्ञवल्क्य चन्द्रमस्यस्तमिते शान्तेऽग्नौ शान्तायां वाचि किंज्योतिरेवायं पुरुष इत्यात्मैवास्य ज्योतिर्भवति … । ६। कतम आत्मेति योऽयं विज्ञानमयः प्राणेषु हृद्यन्तर्ज्योतिः … । ७।

astamita āditye yājñavalkya candramasyastamite śānte'gnau śāntāyāṃ vāci kiṃjyotirevāyaṃ puruṣa ityātmaivāsya jyotirbhavati … 6 katama ātmeti yo'yaṃ vijñānamayaḥ prāṇeṣu hṛdyantarjyotiḥ … 7

When the sun has set, and the moon has set, and the fire is extinguished and speech is silent, what light is available to man? The Self is indeed his light… Who is this Self? The one who is full of consciousness, who is within the senses, the light within the heart…

 

In other words, this Self is the Light within the Darkness, which is also the symbolism of Agni as seen in the afore-quoted verses.


This is the state of Brahman of the Upanishads. The famous Nāsadīya Sūktam (RV 10.129) confirms the same concept: 

तम आसीत्तमसा गूळ्हमग्रे ... आनीदवातं स्वधया तदेकं तस्माद्धान्यन्न परः किञ्चनास   tama āsīt tamasā gūḷham agre ... ānīd avātam svadhayā tadekam tasmāddha anyan na paraḥ kiñcanāsa   In the beginning darkness was covered by darkness ... That One breathed without breath; other than That One there was nothing else.

The above Rig Veda verses depict the myth of creation where the "Gods" are eager for Agni to come out of the darkness, i.e. project the First Ray of Universal Light, which is also depicted in different myths. One of them is that Agni-Ahi Budhyna the Primordial Serpent crept up on a lotus leaf. Another one is  Indra slaying the Primordial Serpent under the name Vritra and cutting him up into parts that become the universe (along with releasing the waters of life). The true meaning of the Vedic yajna is to realize the original unity of the Serpent, and ritually effect the conjoining of the parts of Agni or Prajapati to make him whole. This is the true meaning of Agnicayana. This inner meaning of the ritual was adopted by Upanishad sages to various degrees, for example, as the Inner Fire Ritual (āntaram agnihotram) to be effected intellectually to realize the Primordial Unity.

Thus, it has been shown that Vedic metaphysics has always been consistent in its essential doctrine, while only changing in language and idiom.

The continuity has been carried on into Puranic symbolism. The most conspicuous example of Vedic serpent symbolism is the mythology of Vishnu resting on the thousand-hooded serpent Ananta Shesha.




The name of the serpent is variously Ananta (Infinite), Shesha (Remnant), Adi Shesha (Primordial Remnant). So obviously this is the same infinite Vedic serpent Agni-Ahi Budhnya. Shesha is what remains after creation. But he is Ananta Shesha, i.e. Infinite Remnant, which is an overstatement of the concept that what is infinite is never emptied out.

Vishnu is the Supreme God of the universe, whereas Ananta is the Godhead, the source of the God. This may come as a little shock to devout Hindus. Vishnu emerges out of Ananta, and rests on Ananta as his foundation. Vishnu is manifested in the universe, "visible" and active as the universal consciousness. Ananta is unmanifested, "invisible" as the Silent Observer existing alone in inaction. Of course, in the end Vishnu and Ananta are one and the same.